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<title><![CDATA[laboratory art beijing | 北京艺术实验室]]></title> 
<link>http://www.bjartlab.com/index.php</link> 
<description><![CDATA[a platform for sharing and building constructive ideas]]></description> 
<language>en-US</language> 
<copyright><![CDATA[laboratory art beijing | 北京艺术实验室]]></copyright>

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<link>http://www.bjartlab.com/read.php?71</link>
<title><![CDATA[艺术家Raul Marroquin]]></title> 
<author>lizhenhua &lt;admin@yourname.com&gt;</author>
<category><![CDATA[Dutch Media Search]]></category>
<pubDate>Wed, 18 Feb 2009 21:14:58 +0000</pubDate> 
<guid>http://www.bjartlab.com/read.php?71</guid> 
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	Raul Marroquin1948年出生于哥伦比亚波哥大，自1971年起在荷兰生活。 Raul Marroquin was born in Bogota, Colombia, in 1948 and has lived in the Netherlands since 1971.<br/>............<br/>
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<link>http://www.bjartlab.com/read.php?70</link>
<title><![CDATA[艺术家Dan Oki]]></title> 
<author>lizhenhua &lt;admin@yourname.com&gt;</author>
<category><![CDATA[Dutch Media Search]]></category>
<pubDate>Wed, 18 Feb 2009 21:04:46 +0000</pubDate> 
<guid>http://www.bjartlab.com/read.php?70</guid> 
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	Dan Oki (Slobodan Jokić, 1965, Zadar , Croatia) is Croatian/Dutch visual artist and a filmmaker. In his work he works with mediums of film and video, installation, computer art, web and performance.<br/>Dan Oki（Slobodan Jokić,1965年，克罗地亚，扎达尔）是克罗地亚/荷兰的视觉艺术家和电影制片人。他的作品多以电影、视频、装置、计算机艺术、网络艺术和行为艺术为媒介。 <br/>............<br/>
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<link>http://www.bjartlab.com/read.php?67</link>
<title><![CDATA[艺术家Peter Vink]]></title> 
<author>lizhenhua &lt;admin@yourname.com&gt;</author>
<category><![CDATA[Dutch Media Search]]></category>
<pubDate>Fri, 13 Feb 2009 09:49:21 +0000</pubDate> 
<guid>http://www.bjartlab.com/read.php?67</guid> 
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	Peter Vink (1974) is a Dutch visual artist based in Amsterdam, and now spending 6 months in Beijing as an artist in residence at Platform China Art Institute. 彼得·温克（Peter Vink, 1974年）是一位在阿姆斯特丹生活和工作的荷兰视觉艺术家，2008年作为站台中国当代艺术机构居住艺术家在北京生活六个月。<br/>............<br/>
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<link>http://www.bjartlab.com/read.php?66</link>
<title><![CDATA[艺术家Marnix de Nijs ]]></title> 
<author>lizhenhua &lt;admin@yourname.com&gt;</author>
<category><![CDATA[Dutch Media Search]]></category>
<pubDate>Fri, 13 Feb 2009 09:34:31 +0000</pubDate> 
<guid>http://www.bjartlab.com/read.php?66</guid> 
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	As an artist, De Nijs shows how culture acts upon our senses, and he expresses this in a great variety of ways, making use of continually-changing technology. This allows him to emphasise a new role for the artist that seems to have been established by our developing culture of technology. De Nijs describes himself and his work as recognition of the dynamic collision of bodies, machines and other media.ww<br/>作为艺术家，De Nijs展示文化如何作用于我们的感官，他利用不断变化的技术和许多方式来表现这一点。这使得他强调了艺术家的新作用，这种作用似乎也是由我们不断发展的科技文化所建立的。De Nijs说，他和他的作品是探讨身体、机器和其它媒体之间的动力冲击。<br/>............<br/>
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<link>http://www.bjartlab.com/read.php?65</link>
<title><![CDATA[艺术家Heiner Holtappels：从人到人 person to person]]></title> 
<author>lizhenhua &lt;admin@yourname.com&gt;</author>
<category><![CDATA[Dutch Media Search]]></category>
<pubDate>Sun, 08 Feb 2009 12:07:51 +0000</pubDate> 
<guid>http://www.bjartlab.com/read.php?65</guid> 
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	To write about art implies translating the meaning of images into words. This is not a simple matter, for images are not unequivocal; they can be ‘read’ symbolically, as a visual grammar or conceptually. A single work of art is never sufficient to permit valid interpretation at all three levels. Since Ludwig Wittgenstein’s Philosophical Investigations we have known that words and sentences can only be interpreted correctly if we know the linguistic ‘rules of the game’.<br/>为艺术写点什么意味着你得用文字表达影像的内涵。这不是一件简单的事，影像是含混不清的;你可以用视觉语言从概念上对影像进行象征性“解读”。但任何单独的艺术作品都不足以支撑这三个层次的全方位解读。根据维特根斯坦（Ludwig Wittgenstein）的哲学研究，我们都知道，只有懂得语言学的“游戏规则”，才能正确地解读文字和句子。<br/>............<br/>
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<link>http://www.bjartlab.com/read.php?63</link>
<title><![CDATA[艺术家Vava Stojadinovic  David Djindjihachvili ]]></title> 
<author>lizhenhua &lt;admin@yourname.com&gt;</author>
<category><![CDATA[Dutch Media Search]]></category>
<pubDate>Wed, 04 Feb 2009 15:20:50 +0000</pubDate> 
<guid>http://www.bjartlab.com/read.php?63</guid> 
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	Born in 1973, Novi Sad, Yugoslavia.<br/>He moved to the Netherlands and studied at the Gerrit Rietveld Academy in Amsterdam and in the Sandberg Institute. Specializing in Art and Audio-visual Design, his work was presented in galleries and festivals around the world.<br/>1973年出生于南斯拉夫的诺维萨德。 <br/>他到荷兰后在位于阿姆斯特丹的赫里特特维德学院和桑德伯格研究所从事研究工作。他主修艺术学和视听多媒体设计，他的作品中曾在世界各地的画廊和艺术节展出。 <br/>............<br/>
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<link>http://www.bjartlab.com/read.php?62</link>
<title><![CDATA[艺术家Nan Hoover]]></title> 
<author>lizhenhua &lt;admin@yourname.com&gt;</author>
<category><![CDATA[Dutch Media Search]]></category>
<pubDate>Wed, 04 Feb 2009 15:17:15 +0000</pubDate> 
<guid>http://www.bjartlab.com/read.php?62</guid> 
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	Born in New York, May 12, 1931 – died in Berlin, June 9, 2008<br/>It is with deepest sadness that we bid farewell to Nan Hoover<br/>She was one of the most important international pioneers of video and performance art<br/>1931年5月12日生于纽约，2008年6月9日在柏林去世。<br/>以最深切的悲痛，我们告别Nan Hoover<br/>她是录像与行为艺术界最重要的国际先驱之一。<br/>............<br/>
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<link>http://www.bjartlab.com/read.php?50</link>
<title><![CDATA[荷兰录像艺术简史 A short history of Dutch video art]]></title> 
<author>lizhenhua &lt;admin@yourname.com&gt;</author>
<category><![CDATA[Dutch Media Search]]></category>
<pubDate>Mon, 02 Feb 2009 16:04:08 +0000</pubDate> 
<guid>http://www.bjartlab.com/read.php?50</guid> 
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	如中国当代艺术和当代中国艺术所表达的观念就是非常不同的，一个是在界定以中国为地理范畴的当代艺术，另外的一个是在针对全球当代艺术视野中的中国当代艺术关联。<br/>............<br/>
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<link>http://www.bjartlab.com/read.php?48</link>
<title><![CDATA[Interview of David Kousemaker and Tim Olden 访谈]]></title> 
<author>lizhenhua &lt;admin@yourname.com&gt;</author>
<category><![CDATA[Dutch Media Search]]></category>
<pubDate>Mon, 02 Feb 2009 02:58:53 +0000</pubDate> 
<guid>http://www.bjartlab.com/read.php?48</guid> 
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<![CDATA[ 
	I've met several talented interaction designers and new media artists who have to accept jobs they are not exactly thrilled about in order to be able to "work on their own stuff" in their leisure time.<br/>我见过一些有才华的交互式多媒体设计师和新媒体艺术家，他们接受自己并不感冒的工作，只求能在空余时间干自己的事情。<br/>............<br/>
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<link>http://www.bjartlab.com/read.php?47</link>
<title><![CDATA[Blendid 荷兰媒体艺术互动小组]]></title> 
<author>lizhenhua &lt;admin@yourname.com&gt;</author>
<category><![CDATA[Dutch Media Search]]></category>
<pubDate>Mon, 02 Feb 2009 02:25:56 +0000</pubDate> 
<guid>http://www.bjartlab.com/read.php?47</guid> 
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	Who are we?<br/>我们是谁？<br/>............<br/>
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