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<title><![CDATA[laboratory art beijing | 北京艺术实验室]]></title> 
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<copyright><![CDATA[laboratory art beijing | 北京艺术实验室]]></copyright>

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<link>http://www.bjartlab.com/read.php?218</link>
<title><![CDATA[邢丹文访谈 1]]></title> 
<author>lizhenhua &lt;admin@yourname.com&gt;</author>
<category><![CDATA[Dialogue]]></category>
<pubDate>Mon, 28 Dec 2009 23:41:50 +0000</pubDate> 
<guid>http://www.bjartlab.com/read.php?218</guid> 
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<![CDATA[ 
	第一次跟丹文谈谈她的生活经历，我一直对不是和不能亲历她们那一代人的境况而感到遗憾，所以希望通过这些访问的点滴来串一个对90年代初期，中国当代艺术的从个人角度出发的线索。感谢邢丹文可以如此真切的还原当时的情境，此访问自2007年10月开始，之后一直因为工作、时间等等原因才拖了很久。<br/>............<br/><br/>Tags - <a href="http://www.bjartlab.com/tag.php?tag=%25E9%2582%25A2%25E4%25B8%25B9%25E6%2596%2587%25EF%25BC%258C%25E6%259D%258E%25E6%258C%25AF%25E5%258D%258E%25EF%25BC%258C2007-2009" rel="tag">邢丹文，李振华，2007-2009</a>
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<link>http://www.bjartlab.com/read.php?141</link>
<title><![CDATA[蒋志访谈：关于乡愁]]></title> 
<author>lizhenhua &lt;admin@yourname.com&gt;</author>
<category><![CDATA[Dialogue]]></category>
<pubDate>Thu, 04 Jun 2009 03:24:37 +0000</pubDate> 
<guid>http://www.bjartlab.com/read.php?141</guid> 
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<![CDATA[ 
	出口是欲望慢慢积压,本能的需要寻找的一个缺口,所以说“乡愁”确实有本能性，但手淫也不仅是欲望积压的释放,它也可能是对剩余欲望的挤榨，它是向虚无订制的快感（对着那个空虚的墙角）。它就是想要这样一种颤慄感觉,让身体的反应来填充精神上的缺失。这种情况下，它是茫然的。主要是对象缺乏,“乡愁”更多的是对象缺乏。手淫当然也是一种训练,其实有点像打高尔夫球,你在草地有困难的情况下,你可能会选择在一个绿色的地毯上去满足一下,训练一下。<br/>............<br/><br/>Tags - <a href="http://www.bjartlab.com/tag.php?tag=art%252C" rel="tag">art,</a> , <a href="http://www.bjartlab.com/tag.php?tag=video" rel="tag">video</a> , <a href="http://www.bjartlab.com/tag.php?tag=%25E8%2589%25BA%25E6%259C%25AF%25E5%25AE%25B6" rel="tag">艺术家</a> , <a href="http://www.bjartlab.com/tag.php?tag=interview%252C" rel="tag">interview,</a> , <a href="http://www.bjartlab.com/tag.php?tag=post" rel="tag">post</a> , <a href="http://www.bjartlab.com/tag.php?tag=sense" rel="tag">sense</a> , <a href="http://www.bjartlab.com/tag.php?tag=sensibility%252C" rel="tag">sensibility,</a>
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<link>http://www.bjartlab.com/read.php?140</link>
<title><![CDATA[劉韡访谈：现在想想会有问题]]></title> 
<author>lizhenhua &lt;admin@yourname.com&gt;</author>
<category><![CDATA[Dialogue]]></category>
<pubDate>Tue, 02 Jun 2009 06:53:07 +0000</pubDate> 
<guid>http://www.bjartlab.com/read.php?140</guid> 
<description>
<![CDATA[ 
	慢慢的这种权力化，在上海是被一些驻扎在上海的一些画廊和西方人所左右的，北京没有那么成熟的体系，不管是马志安、凯伦（四合院画廊）这些人也是在这一两年才成长起来的，策展人也是这三四年，包括顾振请、冯博一才开始进入一种更职业的策展状态，比如说一年可以策20个展览，或是全世界的跑。这跟以前确实不一样，你谈这个问题非常模糊，它到底是一个群体存在的问题还是一个个人问题？你认为你要摆脱的到底是什么？<br/>............<br/><br/>Tags - <a href="http://www.bjartlab.com/tag.php?tag=beijing" rel="tag">beijing</a> , <a href="http://www.bjartlab.com/tag.php?tag=art%252C" rel="tag">art,</a> , <a href="http://www.bjartlab.com/tag.php?tag=post" rel="tag">post</a> , <a href="http://www.bjartlab.com/tag.php?tag=sense" rel="tag">sense</a> , <a href="http://www.bjartlab.com/tag.php?tag=sensibility%252C" rel="tag">sensibility,</a> , <a href="http://www.bjartlab.com/tag.php?tag=1999%252Cperformance%252C" rel="tag">1999,performance,</a> , <a href="http://www.bjartlab.com/tag.php?tag=%25E8%2589%25BA%25E6%259C%25AF%25E5%25AE%25B6" rel="tag">艺术家</a> , <a href="http://www.bjartlab.com/tag.php?tag=interview%252C" rel="tag">interview,</a> , <a href="http://www.bjartlab.com/tag.php?tag=living%252C" rel="tag">living,</a> , <a href="http://www.bjartlab.com/tag.php?tag=meeting%252C" rel="tag">meeting,</a>
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<link>http://www.bjartlab.com/read.php?139</link>
<title><![CDATA[1992－2009蒋志访谈 Interview with JIANG Zhi]]></title> 
<author>lizhenhua &lt;admin@yourname.com&gt;</author>
<category><![CDATA[Dialogue]]></category>
<pubDate>Mon, 01 Jun 2009 14:37:43 +0000</pubDate> 
<guid>http://www.bjartlab.com/read.php?139</guid> 
<description>
<![CDATA[ 
	其实刚才说的做电影，是很多人的梦想，为什么说杨福东一直有拍电影的梦想，其实很多人都是这样，录像就是提供了这样一个便利，可以让你去实现，而且可以花很少的成本就可以实现（梦想），这是你说的外部条件吗？其实这是综合的，因为这个可以把你以前对画面感和声音的东西表达出来，它比较综合，这里面有很大的东西去让你发挥，这肯定会对你产生很大的吸引力。I personally think the engraving department is pretty good. Except for the normal classes, e.g. for copperplate or for lithograph we usually had one or two days class, when we were taught how to grind a stone or how to roll the printing ink, and that’s it. For the next one or two months we had nothing to do.<br/>............<br/><br/>Tags - <a href="http://www.bjartlab.com/tag.php?tag=beijing" rel="tag">beijing</a> , <a href="http://www.bjartlab.com/tag.php?tag=art%252C" rel="tag">art,</a> , <a href="http://www.bjartlab.com/tag.php?tag=%25E8%2589%25BA%25E6%259C%25AF%25E5%25AE%25B6" rel="tag">艺术家</a> , <a href="http://www.bjartlab.com/tag.php?tag=film%252C" rel="tag">film,</a> , <a href="http://www.bjartlab.com/tag.php?tag=writing%252C" rel="tag">writing,</a> , <a href="http://www.bjartlab.com/tag.php?tag=interview%252C" rel="tag">interview,</a> , <a href="http://www.bjartlab.com/tag.php?tag=living%252C" rel="tag">living,</a>
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<link>http://www.bjartlab.com/read.php?76</link>
<title><![CDATA[An interview with Qiu Zhijie by Li Zhenhua and commented by Davide Quadrio]]></title> 
<author>lizhenhua &lt;admin@yourname.com&gt;</author>
<category><![CDATA[Dialogue]]></category>
<pubDate>Mon, 23 Feb 2009 01:42:41 +0000</pubDate> 
<guid>http://www.bjartlab.com/read.php?76</guid> 
<description>
<![CDATA[ 
	<a href="http://www.arthubasia.org/archives/an-interview-with-qiu-zhijie-by-li-zhenhua-and-commented-by-davide-quadrio/" target="_blank"><img src="http://www.arthubasia.org/wp-content/uploaded/post-sense-a-sensibility-group-picture.jpg" class="insertimage" alt="Open in new window" title="Open in new window" border="0" align="left" width="600"/></a>
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<link>http://www.bjartlab.com/read.php?41</link>
<title><![CDATA[1. An interview with Qiu Zhijie by Li Zhenhua and commented by Davide Quadrio]]></title> 
<author>lizhenhua &lt;admin@yourname.com&gt;</author>
<category><![CDATA[Dialogue]]></category>
<pubDate>Sat, 17 Jan 2009 00:54:50 +0000</pubDate> 
<guid>http://www.bjartlab.com/read.php?41</guid> 
<description>
<![CDATA[ 
	 It’s the real reason to do the ‘post sense and sensibilities’. Later on (I) began to oppose conceptual arts, which is why the symposium held by Huang Zhuan in 1998 in He Xiangning Art Museum (何香凝美术馆) was a real academic forum. The article I presented was ‘The Zone of Errors in Conceptual Art’; it was written for that forum. The forum was on in September or October but I had finished writing it in March or April because, well, a book was intended for publication…. <br/>............<br/>
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<link>http://www.bjartlab.com/read.php?30</link>
<title><![CDATA[TENMYOUYA Hisashi 武士样叛逆天使 天明屋尚的新日本画]]></title> 
<author>lizhenhua &lt;admin@yourname.com&gt;</author>
<category><![CDATA[Dialogue]]></category>
<pubDate>Mon, 08 Dec 2008 10:54:26 +0000</pubDate> 
<guid>http://www.bjartlab.com/read.php?30</guid> 
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<![CDATA[ 
	其实，“高达”从一开始就被武士形象化了，因此并不是我将机器人和武士形象融合起来的。在日本，将机器人和武士形象结合起来表现的动画片，在“高达”之前还有很多。我只是为了使观者更容易理解才创作了“RX-78-2傾奇者”而已。不过，我觉得很难说“高达”表现出了“武士精神”。总的来说，“高达”故事只是与武士在表面上有形的相似而已，但离所谓的“武士精神”还差得很远<br/>............<br/>
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<link>http://www.bjartlab.com/read.php?29</link>
<title><![CDATA[Hiroki Tsukuda interview 佃弘树 就像未来主义科幻小说]]></title> 
<author>lizhenhua &lt;admin@yourname.com&gt;</author>
<category><![CDATA[Dialogue]]></category>
<pubDate>Mon, 08 Dec 2008 10:43:24 +0000</pubDate> 
<guid>http://www.bjartlab.com/read.php?29</guid> 
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<![CDATA[ 
	现在我是艺术领域的新锐，所以我不知道最新的设计，但是我想日本的设计水平在世界上是高层次的<br/>............<br/>
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<link>http://www.bjartlab.com/read.php?19</link>
<title><![CDATA[Daito Interview真锅大度 访谈]]></title> 
<author>lizhenhua &lt;admin@yourname.com&gt;</author>
<category><![CDATA[Dialogue]]></category>
<pubDate>Mon, 10 Nov 2008 03:20:12 +0000</pubDate> 
<guid>http://www.bjartlab.com/read.php?19</guid> 
<description>
<![CDATA[ 
	Masayuki Akamatsu is the most famous MaxMSP prompter in Japan. How<br/>long have you learnt with him and what kind of influence did you get<br/>from him? It's really interested that I will meet him in Shanghai<br/>eArts Festival and let us know more between you and him.<br/>............<br/>
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<link>http://www.bjartlab.com/read.php?17</link>
<title><![CDATA[李振华 邱志杰 访谈]]></title> 
<author>lizhenhua &lt;admin@yourname.com&gt;</author>
<category><![CDATA[Dialogue]]></category>
<pubDate>Tue, 26 Aug 2008 03:31:50 +0000</pubDate> 
<guid>http://www.bjartlab.com/read.php?17</guid> 
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<![CDATA[ 
	其实这5年就是前面九杯酒啊，最后这口醉。<br/>............<br/>
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